-
Ori Egoz

Director, Screenwriter
MFA with honors, Theatre Arts Department, Tel-Aviv University; LL.M with honors, criminal law with specialization in human rights, The Hebrew University of Jerusalem.
Have arrived to writing and directing after having a varied career as a criminal lawer , with expertise in terror. Screenplays: Won grant for full production, 50 min drama Word for word the New Israeli Foundation for Cinema & TV (2011); screenwriter of an Interactive Internet Drama series UNDERCURRENT won the Yohanna Prenner Foundation second Prize for New Media (2008); wrote for TV series - The Dolls ; Not In Front of the Children - satiric sitcom; wrote a regular column Double Exposure for Lady Globes magazine. Member of the joint Japanese government delegation for Israeli Palestinian and Japanese artists, filmed with her Palestine partner a documentary film , now at the process of editing (2012); Artistic Manager of 5th Cinema South Film Festival , Artistic Manager of The International Women Festival For Arts . Directing and writing also for theatre.
Personal Project -
Working on a television drama series about a man who copes with the lost of his girl friend in a car accident. endless moments of depression, endless moments of excuses to be depressed. He doesn’t want to give away any of her stuff; he wants to kick them all away. The family, the friends… "it's not all about you, you know?! Some of us are still having our own fucked up life, even if no one has just died for us". One point shifted, and now there is a whole movement who clashes.
Billie, a winsome young actress ruled more by her heart than her head, has sought out the mother who gave her up at birth. She finds Anna, a chic and successful forty-something with a nice line in black linen suits, whose pregnancy as a teenager at the end of the sixties was a shame to her family. Meeting for the first time in Anna's apartment, which resembles nothing so much as the waiting room in a Harley Street clinic, the two women attempt a reconciliation, Anna delicately side-stepping the younger woman's unashamed need for love with embarrassed offers of tea.